By drawing on the iconotext of Medieval illustrations, including thematic cartographies, moon diagrams, and geometric visualizations, I situate my Cosmogeny series within an art-historical framework. This body of work investigates the relationship between past and present and between internal and external worlds, forming "otherworlds." My experiments with iridescence, transparency, and varied light sources initiate a reflective process that culminates in the documentation of selected original works as archival iterations.