Cells/Selves repeatedly incorporates centralized hybrid forms to signify embodied presence. Frequently obscured or darkened in specific areas, the fluid imagery alludes to personal identity shifting through transitory states. This repetition and its resulting forms also suggest the layering of present experience over indeterminate histories, forming palimpsests of viscera. In my WETLAB, I pour and draw ink across a smooth surface with a metal ruler. The motion is rapid, and tension arises from the interplay between fluidity and precision.