Cells/Selves repeatedly incorporates centralized hybrid forms, signifying embodied presence. In my WETLAB, I’m pouring and pulling ink across a smooth surface with a metal rule. The motion is rapid, and tension is created by the concurrence of fluidity and precision. Often obscured or darkened in certain areas, the resulting imagery alludes to personal identity shifting through transitory states. This repetitive action and its ensuing forms connote the layering of present experience over indeterminate histories – palimpsests of viscera.